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But if the NLPID covers standard OSI RM packets, and the SNAP format covers all standard bridged formats for IEEE LANs, what about vendor-specific packets and LAN frames Vendorspecific protocols are not necessarily standards, at least in the same sense as IP or token ring In this case, an extension of the NLPID format is used So FRF 31 easily extended the NLPID coding to include SNA protocols Sometimes there are protocols that could conceivably be encapsulated using either NLPID or SNAP formats But there should never be any confusion between when the NLPID header or SNAP header should be used FRF 31 establishes a firm hierarchy for deciding which format to use In order of preference, these are: 1NLPID is the first choice The code listings in ISO TR 9577 are to be consulted If the protocol is listed, NLPID is used.

While each project is different, you can use Illustrator effectively by following these guidelines: Figure out the components in the project first and then set up layers for each of them as appropriate. Place-link elements when possible so that your document uses the most recent version of those elements. Work with your printer prior to creating your files so you don t have to make changes later when it s much harder to do. Save your final file as a PDF, using the High Quality Print preset as your base setting.

In the flyout menu, you have these options:

Problem 18.12 1. 2. 3. 4. They They They They are expensive. are easily damaged. have limited bandwidths. must be supplied power.

Different printers may produce different tints of gray. Lower-resolution printers, such as 300-dpi laser printers, don t create an accurate gray tint because they use dots that are too large to create accurate tint patterns.

Each Java class you want to call from a Flex application with the Remoting Service must be configured as a destination in the BlazeDS configuration files. Remoting Service destinations are defined in remoting-config.xml in the BlazeDS WEB-INF/flex folder. The default remoting-config.xml that s delivered with a fresh BlazeDS installation looks like this:

Let([ID=LayoutIDs(Get(FileName));Ln=LayoutNames(Get(FileName));p1=Position( &ID& ; &LayoutID& ;1;1);n1=Left(ID; p1);p2=ValueCount(n1)];If(p1;GetValue(Ln; p2)))

3. In the Gradient Fill dialog box, select the Foreground to Background gradient from the Gradient pop-up menu. Click the OK button. 4. Set the layer s blend mode to Hue, Saturation, or Color. Method #9: 1. Set the foreground color to 50% gray. 2. Select the Paint Bucket tool. 3. On the options bar, set the tools blend mode to Color. 4. Click the color you want to desaturate. Method #10: 1. Select the Sponge tool and set its mode to Desaturate. 2. Choose a suitable brush tip from the options bar. 3. Drag across the areas you want to desaturate.

If you re editing a lot of Web pages created on another system, you should enable the Warn When Fixing Or Removing Tags option. If this setting is turned on, Dreamweaver displays a list of changes that have been made to your code in the HTML Corrections dialog box. The changes can be quite extensive when Dreamweaver opens what it regards as a poorly formatted page.

Specify a range of frames by using the Onion Skinning range selector, located in the Frame list s left margin in the Frames panel (refer to Figure 23-2). This is the quickest way to specify a range of frames, especially for shorter animations. To expand the range to include earlier frames, click inside an empty box above the selector. To expand the range to include later frames, click inside an empty box below the selector. To contract the range, click inside the selector itself. To turn off Onion Skinning, click the bottom end of the selector. Choose predefined ranges from the Onion Skinning menu on the Frames panel. To show the current frame and the next frame, choose Show Next Frame. To show the previous frame, the current frame, and the next frame, choose Before and After. To show all frames, choose Show All. Choose Custom from the Onion Skinning menu to display the Onion Skinning dialog box (see Figure 23-9), which gives you precise control over the frames that you view, all the way down to the opacity of other frames. Fill in the number of frames Before Current Frame and After Current Frame that you want to view, and specify an Opacity setting for those frames. A setting of 0 makes frame contents invisible, whereas a setting of 100 makes objects on other frames appear as though they re on the current frame.